While in the Andes I realised I had to try my knowledge of materials and involuntaryism to depict mountains the way I saw them or how I wanted them to be portrayed.
Concentrating on how the snow on rocks appeared from a distance. I knew the mixing of the paint and different materials in their cell like textures would give the viewer just enough for them to create a snowy mountain in their head. It’s taught me a lot more than the sea ever could about the materials and colours I use. The evolution of my practice has been at its height since starting to paint mountains.
If you would like to experience Michael's painting in real life he regularly exhibits his work on the South Coast of the UK and in London.
upcoming exhibitions →